Looking for a good scare, but not sure where to starting time? The good news is Prime Video boasts quite a few quality horror films, even if the suggested title algorithm doesn't ever bring the cream of the crop to the forefront. Whether you're looking for zombies, witches, horror-comedy, or pretty much anything else across the board, there's a lot to cull from.

Nobody likes to get lost in the infinite streaming curl and then we're making it easy to separate the best from the rest with our regularly updated list of the best horror movies streaming on Prime Video correct at present. Get your popcorn gear up, bust out the slanket, and settle in for some spookytimes. Nosotros'll exist updating and expanding this list regularly, and then exist sure to come back for the latest recommendations and newly added titles.

Editor's note: This list was updated June 2022 to include Carrie, Mother!, Candyman, and The 6th Sense.

Hell House LLC (2015)

hell-house-llc

Director/Writer: Stephen Cognetti

Cast: Kristin Michelle Taylor, Jeb Kreager, Theodore Bouloukos

Run Time: 1 60 minutes 23 min

Don't be fooled by the name. This is not a documentary but a found footage - and completely fictional - picture show. The mysterious deaths of xv visitors and employees in one dark of a Halloween haunted attraction, Hell House, haunt the pocket-sized, upstate New York town of Abaddon. A documentary crew heads out in that location to try to observe the cause of the deaths, and along the way, they notice photographs, picture footage... and a survivor to continue the record about what happened. A chilling and constructive addition to the found footage subgenre. - Alyse Wax

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Mother! (2017)

mother image jennifer lawrence
Prototype via Paramount Pictures

Managing director/Writer: Darren Aronofsky

Cast: Jennifer Lawrence, Javier Bardem, Ed Harris

Run Time: 2 hrs i min

University Laurels winner Jennifer Lawrence ( The Hunger Games ) stars in writer/director Darren Aronofsky'southward weird and trippy thriller, Mother! Uncomfortably paired with Academy Laurels winner Javier Bardem ( Being the Ricardos ), Lawrence holds her own in this uniquely eerie story, expanding her career across genres. Leaning heavily on the psychological subgenre of horror, with an almost indescribable plot, Female parent! requires a viewing experience of immense focus to allow for the full appreciation of the gorgeous and particular scenery. Brimming with intricate details emphasized by the unparalleled cinematography, Mother! is intended to exist savored. – Yael Tygiel

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Candyman (2021)

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Paradigm via Universal

Managing director: Nia DaCosta

Writer: Hashemite kingdom of jordan Peele, Nia DaCosta, Win Rosenfeld

Cast: Yahya Abdul-Mateen II, Teyonah Parris, Nathan Stewart-Jarrett

Run Fourth dimension: 1 60 minutes 31 min

Co-written by Jordan Peele ( Leave , Us ), who has cleverly and deliberately shifted away from his comedic reputation by edifice a solid catalog of profound and suspenseful thrillers, comes a sequel to the 1992 classic of the same name. Candyman is a continuation of the story, rooted in a horrific narrative stemming from America's racist history. Starring Yahya Abdul-Mateen II ( Aquaman ) and Teyonah Parris ( WandaVision ), Candyman expands upon the original mythology of the property, taking identify in the same city where the journey began while reinvigorating it for a contemporary audience. Along with Peele, director and co-writer Nia DaCosta creates a modern horror film with a thought-provoking story. – Yael Tygiel

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The Sixth Sense (1999)

Haley Joel Osment in The Sixth Sense
Image via Buena Vista Pictures

Manager/Writer: G. Dark Shyamalan

Bandage: Bruce Willis, Haley Joel Osment, Toni Collette

Run Fourth dimension: ane hour 47 min

M. Night Shyamalan's masterpiece The Sixth Sense introduced the earth to Haley Joel Osment ( Future Man ) with quotable dialogue and iconic lines that forever live as watershed moments in pop culture history. This haunting thriller, starring Osment and Bruce Willis ( Dice Difficult ), tells the story of an broken-hearted and awkward little boy who believes he is able to see, and communicate with, the undead. Willis plays the skeptical and humble psychologist intent on helping the child. Both written and directed past Shyamalan, The Sixth Sense exemplified compelling narrative and uncanny imagery, crafting a arctic-inducing story with unforgettable twists. – Yael Tygiel

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Carrie (2013)

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Director: Brian DePalma

Writer: Lawrence D. Cohen

Cast: Sissy Spacek, Piper Laurie, Amy Irving, John Travolta, William Katt, Nancy Allen, Betty Buckley

Run Time: i hr 40 min

One of the horror greats and i of Brian DePalma's all-time, Carrie endures as a heartbreaking and horrifying coming-of-historic period tale told through De Palma's signature neo-Hitchcock lens. Powered past Sissy Spacek's raw, intimate performance as the tortured telekinetic Carrie White and Piper Laurie'southward terrifying mania as her mother, Carrie is a powerful emotional drama about a young girl desperate for acceptance, an engrossing teen high school drama, and in the stop, a thrilling brandish of horrors impeccably designed to turn your stomach and ready your pilus on cease. DePalma is a stylist and Carrie is a strong combination of gorgeous camerawork and clever editing (non to mention Pino Donaggio's stirring score) that ever feels like its firing on all cylinders. It marks one of the few times Stephen King's material was arguably improved past the filmmaker, and DePalma and King's shared anxieties make for a surprising match fabricated in heaven. — Haleigh Foutch

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Train to Busan (2016)

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Image via Side by side Entertainment World

Director: Sang-ho Yeon

Author: Sang-ho Yeon and Joo-Suk Park

Cast: Gong Yoo, Ma Dong-Seok, Jung Yu-mi

Run Time: 1 hr 58 min

This Korean zombie flick was said to reinvigorate the subgenre when information technology was released in 2016. Travelers on a bullet train from Seoul to Busan must fight for their lives when a virus outbreak turns commuters into zombies. It's "zombies on a train" simply less cheesy. Activeness and gore soak this frenetic portrayal of zombie madness. - Alyse Wax

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The Wailing (2016)

Writer/Director: Na Hong-jin

Cast: Kwak Do-won, Hwang Jung-min, Chun Woo-hee

Run Time: 2 60 minutes 36 min

Watching The Waling is a flake similar communicable sight of something humanity was never meant to see. It'south peeking backside a rickety curtain that was left intentionally askew and immediately wishing y'all never saw through the cracks because at that place's definitely something sinister as hell dorsum there. The South Korean crime thriller-meets-demonic nightmare centers on Kwak Do-Wan's everyman detective Jong-Goo, who is fatigued into the nasty realm of demons and spirits when his job leads him to a string of horrifying murders. Each crime is committed past a mazed perpetrator fallen ill with a severe rash, and when he wakes up to find his daughter in the same condition, his life rapidly spins out of command as he desperately tries to uncover the source of the scourge. Director Hong-jin Na keeps the step pounding and the surprises coming (including 1 of the best on-screen uses of lightning of all time) and he's seemingly incapable of backing downwards from the grim or the grisly. I won't prevarication, The Wailing is also pretty confusing on a showtime watch, particularly to a Western viewer, but similar a mirror of the film itself, investigating its meaning simply seems to draw out further horrors. — Haleigh Foutch

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Chopping Mall (1986)

Chopping Mall
Image via Concorde Pictures

Manager: Jim Wynorski

Writers: Jim Wynorski, Steve Mitchell

Bandage: Kelli Maroney, Tony O'Dell' Barbara Crampton, Karrie Emmerson, Russell Todd, Nick Segal, Dick Miller

Run Time: 1 hr 35 min

Chopping Mall is 80s to the utmost; the neon, the pilus, the overtly sensationalist nudity, simply in the place of your boilerplate slasher killer, Chopping Mall pits a gang of brawny teens against a trio of deadly, malfunctioning mall security robots. Locked in the high-tech shopping mall overnight with the light amplification by stimulated emission of radiation-eyed murderbots rolling upwardly behind their every move, the teens arm up and fight back to the quintessential 80s electronic score. Whacky and unafraid to be more fun than scary, Chopping Mall is a delightful B-movie where people say things like "I'yard just not used to be chased around a mall in the heart of the dark by killer robots" with a straight face. The whole film has that cheeky cocky-awareness, including some none-too-subtle genre references -- it fifty-fifty features i of Eating Raoul duo Paul Bartel and Mary Woronov's seventeen film cameos equally The Blands. Funny and endlessly entertaining, Chopping Mall is a perfect throwback midnight moving-picture show. Thank you, take a dainty mean solar day. — Haleigh Foutch

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The Vast of Night (2019)

Director: Andrew Patterson

Writers: James Montague and Craig W. Sanger

Bandage: Sierra McCormick and Jake Horowitz

Run Time: 1 hr 31 min

The indie sci-fi film The Vast of Nighttime is hands down one of the best films of 2020, and a wonderful surprise. Fix in 1950s New Mexico, the story basically follows a switchboard operator (Sierra McCormick) and a radio DJ (Jake Horowitz) investigating a strange sound coming through the radio during a big high school basketball. That premise could go incorrect whatever number of ways, just at every turn Vast of Night pleasantly surprises. It's Spielbergian in that it clearly draws influence from films like Eastward.T. and Close Encounters of the Tertiary Kind , only as well has a vox and way all its ain. The wildly compelling screenplay is full of delightfully crackerjack dialogue that evokes screwball comedies of the 40s and 50s, while Andrew Patterson's direction favors long takes and unique shots that lay the intrigue on thick equally the story plays out entirely in real-time. Add in a layer of Twilight Zone -esque terror, and The Vast of Night is a film y'all won't shortly forget, announcing its writers, director, and bandage equally new talents to spotter. - Adam Chitwood

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Vivarium (2019)

vivarium-imogen-poots-eanna-hardwicke
Image via Saban Films

Director: Lorcan Finegan

Author: Garret Shanley

Cast: Imogen Poots, Jesse Eisenberg, Jonathan Aris

Run Time: 1 hr 37 min

If you like Twilight Zone -inspired independent tales of horror and existential dread, boy does Prime Video have the correct horror motion-picture show streaming for you. Lorcan Finegan'southward Vivarium is dark as hell and a walloping bummer, but it's a very adept bad fourth dimension. Imogen Poots and Jesse Eisenberg star as a couple on the chase for their showtime home and air current upward trapped in a surreal suburban neighborhood from which in that location's no escaping. No matter how many streets they drive through, how many fences they hop, they simply tin can't become out. And so the nightmare baby shows up. On the surface, Vivarium is an effective portrait of the horrors of getting trapped in a white-watch-debate life you never wanted, but the scarier, much more effective undercurrent comes from the way the moving picture embraces the roughshod indifference of nature'southward life cycles and the helplessness of being stuck in them. -- Haleigh Foutch

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Resolution (2012)

resolution
Image via Tribeca Pic/Cinedigm

Directors: Justin Benson and Aaron Moorhead

Author: Justin Benson

Cast: Peter Cilella, Vinny Curran, Emily Montague, Zahn McClarnon

Run Fourth dimension: one hr 33 min

The feature debut from Bound and The Endless filmmaking duo Justin Benson and Aaron Moorhead, Resolution is a slow burn, surprisingly expansive existential thriller that builds a whole universe from the confines of a remote cabin. Petter Cilella and Vinny Curran co-star as two erstwhile friends who head for a getaway at said cabin -- merely what ane doesn't know is that the other plans to keep them there by any ways necessary until he breaks his friend of his drug addiction. That character drama provides the solid foundation from which Benson's script builds a Lovecraftian terror when an unknown, unseen force starts sending them messages and toying with them, further trapping them in their dingy little pit of despair. It's a irksome burn that sticks the landing with an unforgettable conclusion, and information technology lowkey packs in enough mythology that Benson and Moorhead accept congenital a whole cinematic world out of it. In fact, once y'all finish Resolution, yous can caput over to Netflix to watch the semi-sequel The Endless . -- Haleigh Foutch

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The Reef (2010)

Writer/Director: Andrew Traucki

Cast: Damian Walshe-Howling, Adrienne Pickering, Zoe Naylor, Gyton Grantley, Kiernan Darcy-Smith

Run Fourth dimension: 1 hr 34 min

The Reef is an impressive exercise in tension that does a lot with a niggling. The movie follows four friends who set out to accept in the sights of the Nifty Barrier Reef and discover themselves stranded at sea when their gunkhole capsizes. With the few supplies they salvage, they make the hard choice to swim out through shark-infested waters rather than wait around for the slim chance of rescue on their sinking ship. Only one time they're in the h2o, a blood-thirsty peachy white catches their olfactory property and hunts them down one-past-one.

Writer/director Andrew Traucki takes but plenty time to lay some dramatic background earlier he unleashes sickening tension with the crash and never lets upwardly, staging a tiresome burn until the shark's reveal, which is liable to have your breath away. The Reef was filmed with real sharks, and the outset attack is a stunning, intensely anxious experience that will have you lot curling upwardly your toes in fear. (No pocket-sized thanks to the actors, who sell the terror with every guttural scream and cadaverous grimace.) There's i egregiously foolish character and the ending is a bit precipitous and cruel, only overall, The Reef is a tense, technically accomplished survival thriller with one seriously scary shark. -- Haleigh Foutch

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Suspiria (2018)

Director: Luca Guadagnino

Writer: David Kajganich

Cast: Dakota Johnson, Tilda Swinton, Mia Goth, Chloƫ Grace Moretz

Run Time: two hr 32 min

Call Me Past Your Proper noun director Luca Guadagnino brings all his sensuality and artistry to 2018'southward Suspiria . More of a sibling motion picture to Dario Argento's iconic horror classic than an outright remake, Suspiria depicts its powerful magical darkness through the context of generational strife and fascist powerplay, embedding the supernatural in the psychological to boggling results. Suspiria is a phantasmagoria of violence, magic, and movement that feels pulled from the sometime ways of some unknown ritual. Art, dance, horror, and the human spirit come up out to play in Guadagnino'southward coven, conjuring the uncanny and a feeling of true witchcraft that's equally stirring and profound as it is occasionally terrifying. Give yourself to the dance, indeed, considering Guadagnino'southward film gives you no other choice. -- Haleigh Foutch

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Night of the Living Expressionless (1968)

Managing director: George A. Romero

Writers: George A. Romero and John A. Russo

Run Time: 1 60 minutes 36 min

The zombies in George A. Romero's Nighttime of the Living Dead are called "ghouls" but yet, this is the moving-picture show that created the flick zombie equally we know them: blank, thoughtless creatures who lumber around with vacant stares and barely retain any resembling sense of their humanity. For this reason, the thrill of the movie zombie has by and large been in seeing how our heroes with brains acceleration them with great efficiency and cruelty. They're no longer human being, subsequently all.

Nonetheless, re-spotter Romero'due south flick and try not to escape with having more sympathy for the "ghouls" than most of the humans. The living humans mostly only retain humanity's weakest learned attributes: prejudice, xenophobia, and selfishness. The most selfless non-ghoul we follow (Duane Jones) is famously shot—after valiantly fighting against the ghouls—merely because his skin color triggers a suspicious reaction to the human on the other cease of the rifle. But Romero plants many other distrust of potency motifs throughout Nighttime of the Living Expressionless. In 1968, recent public opinion on the war of Vietnam and in the police tactics during the Ceremonious Rights move had shifted to no longer give blanket trust of best intentions to police enforcement, generals, and soldiers. They're homo after all, and many humans harbor ill intent to others. Merely watch the burial of the once homo ghouls who are dragged out past meat hooks and burned in a pile and endeavour not to remember of any xenophobic war or a horrific systemic view of the "other". --Brian Formo

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Ginger Snaps (2000)

Director: John Fawcett

Author: Karen Walton

Cast: Katharine Isabelle, Emily Perkins, Kris Lemche, Mimi Rogers, Jesse Moss

Run Time: 1 hour 48 min

John Fawcett's spin on the werewolf mythos should be considered among the ranks of the modernistic monster classics, and easily one of the best werewolf movies, but outside horror circles it's too often forgotten. A coming-of-age tale via lycanthropy, Ginger Snaps tells an intimate story nigh two death-obsessed, co-dependent sisters who are slowly torn apart when the older girl starts to alter after a werewolf attack. Ginger Snaps was one of the early adopters of the 21st-century trend to address female puberty past way of monstrous transformation (see also: Teeth, Wildling, Revenge, among many others), and it does and so with nifty outcome, merely information technology'southward also a downright well-made horror picture show. The effects are on indicate, the characters are relatable and sympathetic (even those like the loftier school hateful daughter, the local drug peddler, and the horny teenage boy are treated with a dose of empathy), and the actors all committed in their pulpy roles. Ginger Snaps puts a clever spin on a lot of themes -- sexuality, sisterhood, loneliness, outsider pride and the desire to belong -- and in doing so, information technology puts a fresh spin on one of horror's well-nigh long-standing genres. --Haleigh Foutch

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The Neon Demon (2016)

Managing director: Nicolas Winding Refn

Author: Refn, Mary Laws, Polly Stenham

Cast: Elle Fanning, Keanu Reeves, Abbey Lee, Jena Malone, Bella Heathcote, Karl Glusman and Christina Hendricks

Run Time: 1 hr 58 min

Nicholas Winding Refn certainly knows how to make a divisive motion picture. Similar But God Forgives earlier it, Refn'south Neon Demon was jeered at Cannes and met with split response from critics and moviegoers alike. That's not as well surprising. It's explicit and nebulous, and seemingly dedicated to make the audience as uncomfortable every bit possible as often as possible. It'southward also staggeringly beautiful, but leave it to Refn to make a shallow movie near the pitfalls of being shallow. Elle Fanning stars as Jesse, a manipulative underaged monster in the making who has "that thing" anybody wants, and she knows it. Rapidly climbing the ranks of the fashion industry, Jesse believes her own hype and goes full Narcissus, cartoon the ire of iii experienced manufacture pros who envy her youth, easy beauty, and immediate success. Forth the fashion, shit gets truly crazy. The Neon Demon's got beautiful women basking in blood, information technology'south got glorious Technicolor visions of cannibalism and self-worship, and it's got merely way too much necrophilia. All the same, it's a stunning visual achievement and it never abandons grapheme in favor of the shock, it embeds them in each other. The Neon Demon may not have a lot to say, but what it does, it says beautifully. -- Haleigh Foutch

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The Greasy Strangler (2016)

Director: Jim Hosking

Writer: Toby Shepherd and Jim Hosking

Cast: Elizabeth De Razzo, Heaven Elobar, Michael St. Michaels

Run Time: ane hr 33 min

Decidedly not for everyone, The Greasy Strangler is a nail, and I'm no bullshit creative person. The feature moving-picture show debut from Jim Hosking has incited a lot of pearl-clutching and gasps of horror since information technology debuted at Sundance earlier this twelvemonth, and it's easy enough to see why — it's absurd, unapologetic, and indecent by just about every conventional standard, but the dazzler of The Greasy Strangler is the fact that information technology doesn't care almost conventional standards at all. Forget nearly photoshopping, and narrative guidebooks, and all the little prophylactic boxes that have to be checked off when a film tries to exist a 4-quadrant motion picture. The Greasy Strangler feels like Grindhouse incarnate, a midnight movie sprung from the very soul of midnight movies to make you blench and guffaw and quote ane-liners you'll probably never be able to go out of your head. --Haleigh Foutch

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Triangle (2009)

Writer/Director: Christopher Smith

Cast: Melissa George, Liam Hemsworth, Joshua McIvor, Michael Dorman Rachael Carpani, Henry Nixon, Emma Lung

Run Fourth dimension: i hr 39 min

After putting a delightfully cheeky spin on the backwoods slasher genre with his 2006 films Severance , writer-director Christopher Smith got even more than creative with his adjacent motion picture, the time loop mind-bough Triangle . Centered on Melissa George'south Jess, a adult female with an undisclosed source of agony behind her surface-level calm, Triangle sees a group of friends on a yachting trip through the Bermuda Triangle, where they escape to a passing body of water liner in the midst of a terrible storm. One time aboard, they find that the massive send is abandoned, and what'south worse, they're being stalked by a hooded murderous figure who appears to be the only other inhabitant on the vessel. It'southward hard to talk about Triangle without giving abroad its many clever twists and turns, but a brutal time loop repeatedly thrusts the group into the nightmare scenario where Jess emerges at the heart of a mystery that might just hold the key to their escape. Smith makes the most of his twisty concept with an intricately designed narrative of overlapping timelines, and a number of striking and creative that showcase the horror of being stuck in a hellish time loop. -- Haleigh Foutch

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